$15.00 LP BLM0245
Big
Legal Mess is proud to announce that they've secured the rights
to release the entire Designer Records back catalog. Designer
Records Presents Together is the first release from this classic
soul gospel catalog. Together features tracks by the Jubilee
Humming Birds, Union Gospel Singers, Madam Andrews and the Heavenly
Echos and the Mosby Family Singers. Produced by Designer Records
label head Style Wooten.
DESIGNER
The story of gospel music in the 1960s and 70s is strewn
with small record labels. Most produced only a few discs,
usually of one or two local artists and selling only a few
hundred copies around their home areas. But a few were run
on a larger scale. One was Designer, from Memphis, Tennessee,
which between 1968 and 1978 produced between 400 and 500 singles
and a few albums. Yet less than 30 years after the last issue,
Designer has faded into the mist, and little is known of its
story. The printed labels tells us it was run from at least
two addresses in Park Avenue, Memphis No 3373, then
later No 3109 by Style Wooten and Charles Bowen. Designer
was, in effect, two labels in one. The main one was the vanity
or custom label available to anyone who
could pay the cost of a recording session and having anything
between 100 and 1000 45rpm singles pressed. But as well, Wooten
and Bowen signed promising artists to contracts, carrying
the costs, marketing the discs and reaping the profits.
In 1992, Rev Johnny Shaw, who with his wife, Opal, sang as
the Shaw Singers, recalled how they recorded for Designer
under both systems. Opal saw an ad in the newspaper
or some kind of magazine. If you want to make a record.....for
$425 you can become a star. And she followed up on it.
It was Style Wooten and Designer Records, in Memphis.
We went to Style Wooten, told him we wanted to cut a record
and gave him $425 ... He took us in the studio and we cut
a single, thinking that the number one song was going to be
I Made a Promise. In fact, it was This Old Life that caught
on. We cut the record [Designer 6792] and took 500 copies
home.
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Reverend
Douglas Bell
and the Stage Cruisers
Nuclear Blast
1. Nuclear Blast
2. Bitter and the Sweet
MP3
3. I'll Fight Goliath
4. What You Need From the Lord
5. I Got a Home
6. A Tribute to Mother
7. The Revelation of the New Rainbow
8. How Many Miles to Heaven
9. I Got to Make Heaven My Home
10. Hard Love Affair

They
didn't last long. People in the community bought them, and we would
sell them wherever we went to sing
And Brother Theo Wade, of
WDIA played it.
He
started playing the song on WDIA, and we started getting calls from
around the Mid-South, places we'd never been to before, like Arkansas,
Alabama and Missouri
By this time, we'd made such a name for
ourselves that Style wanted to do a contract no more paying.
'We want to get you in the studios, and don't worry about the 425
bucks. Another who recorded as a paying customer was Melvin
Mosley, who in 1978 took over from Jethroe Bledsoe as lead singer
of the Spirit of Memphis quartet, a position he still holds. But five
years earlier, he was a young soloist, looking for a way to boost
his reputation. He went to Designer. I recorded a gospel record
in 1973, "The Day I Was Converted." The flipside was "It
is Real." [Designer 7085] It did pretty good. I had a thousand
pressed and I sold a thousand, so I was proud of that. I sold every
one of them. Wooten had several other custom labels,
including Camaro, Pretty Girl (also the name of one of his music publishing
companies, which claimed rights to fairly much anything the stable
issued), Allendale, JAce and Styleway, which issued country,
rock, and some blues and R&B. Designer appears to have been purely
a gospel label. Most of its artists were African American quartets
and small groups from Memphis and the Mid-South, although half a dozen
choirs appear in the lists and artists from as far away as New Jersey,
New York and Illinois had records issued. Some white artists were
also recorded; at least two groups The Gospel Melodies and
The Happy Time Singers had Designer issues. The dual nature
of the label means its artists are of widely varying quality, ranging
from semi-professional acts such as the Shaws, the Jubilee Hummingbirds,
the Memphis Harmonizers and the Gospel Songbirds to family groups
whose budgets and ambitions perhaps exceeded their musical abilities.
Designers last issue appeared in 1978. The reason for the labels
closure is as obscure as the rest of its life-story, although rumour
has it that Wooten and Bowen were pressured out by rival local labels
and recording studios which didnt like the competition. But
the Designer legacy survives a wonderful wide-angle snapshot
of grassroots gospel through a fascinating decade of change. Alan
Young
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